Drafthouse Films: THE VISITOR
|Starring||John Huston, Shelley Winters, Glenn Ford, Lance Henriksen, Franco Nero and Sam Peckinpah(!).|
18 and up; Children 6 and up will be allowed only with a parent guardian. No children under the age of 6 will be allowed.
Legendary Hollywood director/actor John Huston (THE MALTESE FALCON; TREASURE OF THE SIERRA MADRE) stars in phantasmagoric sci-fi/horror/action/??? hybrid THE VISITOR about an intergalactic warrior battling alongside a cosmic Christ figure against a demonic eight-year-old girl and her pet hawk, as the fate of the universe hangs in the balance.
In the dawn of ‘70s American blockbusters, European production companies emerged stateside, attempting to recreate box office gold by cloning Hollywood. The infamous Supreme Court-banned JAWS copy GREAT WHITE, THE EXORCIST-esque BEYOND THE DOOR, and countless others were packaged for export and the burgeoning drive-in circuit. Producer Ovidio G. Assonitis and Director/Professional Body Builder Michael J. Paradise’s THE VISITOR stands as perhaps the most ambitious of all, taking its inspiration by artfully fusing THE OMEN, CLOSE ENCOUNTERS OF THE THIRD KIND, THE BIRDS, ROSEMARY'S BABY, THE FURY and STAR WARS alongside a baffling cast that includes Shelley Winters (NIGHT OF THE HUNTER), Glenn Ford (SUPERMAN), Lance Henriksen (ALIENS), Franco Nero (DJANGO) and Sam Peckinpah(!).
At the time of its original release, THE VISITOR universally received poor reviews by mainstream critics including TV Guide who simply called it “junk,” but now, the film stands as “the Mount Everest of insane ‘70s Italian movies” (Mondo Digital).
“This film is from another time, another place and another wholly different dimension,” says Drafthouse Films Creative Director Evan Husney, “and contains the highest JDPM (jaw-drops-per-minute) ratio out of any movie we have ever encountered. THE VISITOR is a repertory mainstay at the Alamo Drafthouse and is truly one of the most joyfully delirious theatrical experiences we’ve unleashed on our audiences. The world wasn’t ready for this film in 1979, and it still may not be. Regardless, we are ecstatic to be able to reintroduce cinema’s most colossally bizarro achievement. Ever.”